LONG SHOT (2019) - Soundcloud, YouTube, Spotify

"Poetic and lyrical"
Music for everyone, ranging from electronic and rock to jazz and ballads with fun and inspiring lyrics.




GOOD ODDS (Alice Weiler - vocals, Dave - vocals, piano, synths) Style: pop 

Inspired from a rhyme written by my late mother-in-law, “There is one thing on which you can bet: Stand in the rain you’re going to get wet.” I expanded this idea into the lyrics, exploring things that are a “sure bet.” Alice has a very clear soprano voice, allowing the listener to hear all the words, which is important to me. Musically, I wanted something with a simple chord structure that my 8 year old granddaughter could play, as I am giving her piano lessons. I am happy to report that she learned it by memory. 

FIREFLIES (Shawnee Floyd - vocals, Dave - piano, synths) Style: ballad 

Adapted from a poem written by Janet Heffner as she made a nostalgic account of the fireflies in our yard, during what was our last summer before moving. I expanded the profound phrase, “Fireflies… to teach us all that living, can be beautiful art.” into the chorus. Shawnee has such a resonant voice, which really shines when going into the upper register. I hoped to catch the movement of the fireflies with the piano and string arpeggios played to an unusual 12/8 meter, creating a waltz-like effect. 

IT’S ABOUT TIME (Aurora Beagle - vocals, Janet Heffner - backup vocals, Dave - vocals, synths) Style: electronic dance 

Also adapted from a poem written by Janet Heffner as she observed and appreciated the wildlife around our fully landscaped yard and great Victorian porch. Aurora’s high soprano voice is ideal for celebrating the tiny creatures around our house. The background “ooh-ahh” was my musical inspiration for the whole song. The musical style I chose is popular dance with a “four on the floor” beat for a fun song. 

WHERE DID THE MONEY GO (Janet Heffner - vocals, Dave - vocals, synths) Style: progressive electronic 

One often hears the rhetorical comment about not knowing where the money went. This is a fun satirical song claiming that it is frequently one’s own fault of overspending and trying to “keep up with the Joneses.” Musically, I was exploring the use of many layers of vocals. Heavy drums support the distorted electric guitar sound. Almost in the style of heavy metal. 

PRECIOUS TIME (Alice Weiler - vocals, Janet Heffner - backup vocals, Lucy Henry - flute, Tim Breon - stand up bass, Dave - piano, synths) Style: pop 

Alice Weiler wrote the lyrics to this song that definitely has a Caribbean flavor, Timbale drum and all. I originally created three guitar tracks that had less of a rhythmic swing, but once the drums were added, the song took on a whole new flavor. This prompted me to ask Lucy to play her flute and to add a brass track. This was the first time I ever recorded a live stand up bass, which Tim hauled up to my second floor studio. “Precious Time” was a semifinalist in the Nashville Songwriting Competition. 

I AM RIGHT HERE (Janet Heffner - vocals, Dave - vocals, piano, synths) Style: progressive rock 

Initially, I intended to write a song about outer space and one can still hear related special effects and overall tone. However, at the time I was writing the music, my wife found an unfinished poem written by her late mother that explored one’s inner space, specifically the psychology of the “inner child.” After a little study on the topic, I wrote the lyrics and recite some of the poem in the middle bridge. 

LOVE AND THOUGHTS GO ON (Alice Weiler - vocals, Len Cagle - tenor saxophone, Tim Breon - stand up bass, Dudly Ulysse - drums, Janet Heffner - vocals, Dave - vocals, piano, synths) Style: jazz 

“...it’s goodbye my friend, Like all earthly things, they must come to an end. But love and thoughts go on.” This lyric phrase sums up many of the feeling I have as my wife and I prepare to move from Pennsylvania to Colorado. As in a few of the previous songs, I continue to explore layering the vocals of Alice, Janet, and myself. There are two main musical themes that converge in the ending. In the second theme Alice and I do some “scat” vocals combined with Dudly Ulysses’ driving drums, Tim Breon’s rapid acoustic bass improvisation, and Len Cagle’s jazzy saxophone. A lot is going on, which is challenging and fun. The overall test for me is: does it “swing?” I believe the answer is “yes!” 

TIME EXTENDED (Lucy Henry - flute, Tim Breon - electric guitar, Dave - piano, synths) Style: progressive rock 

Lucy carried the melody in this progressive rock instrumental. The piano and synthesizers support the chord progression and rhythm, while Tim’s electric guitar is primarily improvisational. I enjoyed hearing how both of these experienced artists enhanced my original composition. This is one of those tracks that I like to turn up the volume and surround myself in the musical experience. 

SAVE ME (Shawnee Floyd - vocals, Len Cagle - tenor saxophone, Dave - piano, synths) Style: ballad. 

Shawnee captures the reflective mood of this ballad, enhanced by his additional harmony tracks on the chorus. Len’s funky sax playing enhances the groove I was hoping to capture in what were more complicated bass and drum tracks than might be apparent. For example, marimba is woven into the bass sounds to create a more rapid attack on the beat. One must be careful to not be overly complex and lose the hook and swing of a song. This piece is one of my favorites. 

WHERE DID YOU COME FROM (Dave Heffner - vocals, piano, synths, Janet Heffner - backup vocals) Style: rock 

This was written as a playful lyrical response to a friend’s wondering why a romantic relationship was beginning at an inopportune, unplanned time. The voice tracks are me singing multiple parts. In fact, other than Janet singing three vocal backup tracks, I play the other 20 instrumental tracks. As the lyrics state, “How does a love song really go?” “I have no idea!” 

IT’S THE JOURNEY (Aurora Beagle - vocals, Dave - vocals, piano, synths) Style: ambient 

“Life is a journey, not a destination” - Ralph Waldo Emerson. This ambient or meditative song is carried by layering Aurora’s lovely high soprano vocals in a musical journey, contrasted with my bass vocals. Melody and harmony are supported primarily by piano and strings. Rhythm is supported by bass arpeggios and ethnic drums. Sit back, relax, and enjoy the journey. 

WHAT’S YOUR NAME (Shawnee Floyd - vocals, Len Cagle - tenor saxophone, Dave - piano, synths) Style: electronic dance 

The music was written using “Ableton Live,” which is new software for me that is optimized for live performance of electronic tracks; however, in the end, I transferred everything to my long-time friend “Pro Tools” to perform the final mixing. The lyrics were written while visiting friends in Maine. The premise of the song is that a relationship goes to a new level once one knows someone’s name. I like the way Shawnee can effortlessly move his voice into a higher range. 

IT’S OKAY (Dudly Ulysse - vocals, Dave - vocals, synths) Style: electronic ballad 

The lyrical message is to not hold one’s emotions inside oneself when upset, but to find a trustworthy person in whom to confide. There is a lot of pain in the world and we are here to help each other. The intense lyrics are musically supported by heavy drums, layers of synthesizers, and 10 tracks of vocals. Admitted, somewhat “heavy.” 

I’M NOT DONE YET (Dave Heffner - piano, synthesizers) Style: electro jazz 

I love to have other musicians participate with my compositions. However, sometimes it’s fun to just do a song by myself. This instrumental seemed appropriate because it is complicated rhythmically and might prove difficult to have other musicians know what I wanted and would be a challenge to write the musical scores. I play every part, but feature the piano as my lead instrument with a contemporary big band support. The song has a few false endings, reflecting the name of the piece and my attitude about this musical adventure which I am enjoying. Thanks for  joining me.